December has arrived, and the sun is shining through scattered clouds across the Southern skies as I pull on my travelling boots once again and head across the cornfields and pine forests toward the rugged coast of the Western frontier. I love the wild open plains that stretch as far as the eye can see and the wide endless sky above the rolling hills of farmland and pasture. From the Aegean to the Pacific, from Istanbul to San Francisco I have travelled across nearly every type of terrain and seen many fabulous wonders, both natural and built, and love the vibrancy of life I have encountered - partaking in my fair share of the luxuries this world has on offer. Yet, I am concerned for the prospects of the next generation in the face of a steady decline of places and spaces untouched by the ravages of over-development.
Saturday, December 04, 2010
A New Beginning
December has arrived, and the sun is shining through scattered clouds across the Southern skies as I pull on my travelling boots once again and head across the cornfields and pine forests toward the rugged coast of the Western frontier. I love the wild open plains that stretch as far as the eye can see and the wide endless sky above the rolling hills of farmland and pasture. From the Aegean to the Pacific, from Istanbul to San Francisco I have travelled across nearly every type of terrain and seen many fabulous wonders, both natural and built, and love the vibrancy of life I have encountered - partaking in my fair share of the luxuries this world has on offer. Yet, I am concerned for the prospects of the next generation in the face of a steady decline of places and spaces untouched by the ravages of over-development.
Friday, November 26, 2010
Don't Fear The Reaper
I was taking a vigorous walk along the sandy beach and felt only the faintest breeze of crisp morning air coming in from the calm waters off the far edge of the peninsula to remind me it was autumn in these northern latitudes.
I sat watching the sunrise across the deep water beyond the harbour where the shrimp boats and trawlers moored, their nets pulled high and fluttering silently in the sea breeze like the wings of butterflies trapped in gigantic spider webs.
‘Ours’ they replied.”
Autumn is a season of reminders, as we tuck into the harvest feast laid out on the table as the survivors’ reward from a benevolent earth, we huddle against the tide the transformation of age sweeps upon us. However, we all remain aware that continual change is the only stable force surrounding us, and embrace the progress of life in sure and certain hope of the betterment of living through striving to achieve the dreams we hold true.
I love to travel, discovering new spaces to tread and revisiting old places where once I trod with eagerness for the future. I’m always looking forward – I can’t imagine a life in one location, land or town forever, the very thought sends shivers of panic down my spine.
Lacking perfect sight, but with a peculiar acuity for darting flight when locating prey, the bats that flurry around the veranda at night are uniquely skilled in catching the moths that hover near lamps.
Thursday, November 18, 2010
Novembaura
Saturday, October 23, 2010
In the Scheme of Things ..
Friday, September 24, 2010
Capital of Controversy 2010
Sunday, September 12, 2010
Lap of the Gods ..
Monday, May 31, 2010
Within the Sands of Time
Monday, May 03, 2010
Eye on the Future ..
When you let go of the wheel,
Can you take a leap of faith,
Will you face the change of pace?
There are worlds out there
Beyond compare ..
Going on a journey
Somewhere far out East ..
We'll find the time to show you
Wonders never cease ..
- Morcheeba -
The weeks are beginning to roll by and become as one long moonlit dream .. I am starting to develop a rhythm and pattern to my days that works with the lifestyle of the brilliant heat of midday sunshine and the cool sea breeze of the evenings ..
Monday, March 08, 2010
This is the House
“When two people see the same thing at the same time, that is real.” John Lennon
“Time can pull us together or time can push us apart – distance is the space between.” .. me.!
The Cruiser artists are a busy bunch ..and the past month has been no exception .. the Memory + Migration exhibition opened at Deda in Derby in January and runs through March 28th .. meanwhile “I can see your house from here” was a happening at the Old Knows Studios in Nottingham ..
Simon has been engaged in calculating a new theory of time travel – and this is a terrific example of his blueprints ..
Yelena had her first performance / Lecture at the RCA .. yet still had time to conceive and paint these wonderfully imaginative pastiche pastels on perspex blocks entitled ‘ninja mickey mouse’ ..
John sent his pre-packaged ‘art in a bag’ from America’s East Coast ..
Chris Lewis-Jones performed his live painting ‘never mind the pollox’ at the Sycamore Centre on 13th February .. in Chris’ words it was: “an only slightly ironic time based exploration of expressionism, the physicality of mark making and the visual language of Abstract Expressionism in general and Jackson Pollock in particular to the accompaniment of Be Bop.” However, for “I can see your house from here.” Chris examined our relationship to appearance and how we perceive ourselves – how do we define the physicality of personal space?
Saira seems to be everywhere at the moment .. the Horizontal group exhibition opened at Wadham College in Oxford .. and she produced these stunning ‘alien figure’ drawings and a fine example of encapsulated artefacts ..
I performed
a spoken word piece
called ‘Hame’ ..
a rumbling bus ride through some of the rougher parts of a post-industrial Northern town into the darker recesses of long buried memories .. a Scotland of the past – and not so far from home .. as the conductress said, “I can see your house from here.”
* * *
Wednesday, March 03, 2010
What's Up & Coming: 2010
It was a hectic time, with the open studios at Banks' Mills and a hot and sweaty poetry night at Big Blue in Derby, the John Lennon Drawing, Gustav Klimt paintings at the Tate in Liverpool, the preview evening of the Vickers' Art Award (the missed kiss haha .. Oi! where's my invite?), the emergence of Subism and No Parking as underground collectives created a buzz .. oh, and it was about that time I started this Blog ..
But while all that is in the past the future looks bright .. with Deda and Quad offering opportunities for local artists to show their work and the addition of Cruiser and Horizontal and many other small groups challenging the idea of traditional artist outlets and opening up new venues - working within and without the established art sector, and forums such as the Visual Arts Network establishing viable links with community and civic organisations, this region's independent artist associations look set to break down the barriers between the private and public to develop into a truly national hub for arts development .. and I'm certainly pleased to be part of what's happening ..
Wednesday, February 17, 2010
"I can see your house from here .."
".. a conversation between artists concerning notions of scientific discovery, space, the past and the nostalgic future ..
There is a natural want for humankind to believe that it has both a place and a future in the future. This exhibition considers impending possibilities, the colonisation of other worlds, time travel, Utopianism, free will, innocence, idealism and fatalism … dystopia, the entropic exhaustion of a dying earth; the marking of the end of time .." SW
The Cruiser network of ‘artists who travel hopefully’ is exploring nostalgic futures in its next quarterly review. The group inherited the idea of the quarterly review from Oldknows Studio Group, from which Cruiser emerged, earlier this year. The last two quarterly reviews, Memory + Migration and Cold War, already touched upon some of the ideas that will be expanded in ‘ I can see your house from here’
Simon Withers delves into the profound aesthetics of space in his work ‘Blueprint for no tomorrow’ .. both Simon and Yelena Popova have been exploring science and science fiction for quite some time; indeed, astronomy and Modernism’s romantic attachment to the idea of scientific progress and the space race is central to Popova’s practice. In addition, Saira Lloyd’s work is informed by her background in genetic science and Chris Lewis-Jones was commissioned to design and direct a performance in Chelmsford, Essex, earlier this year, to mark the unveiling of Irene Rogan’s Deep Space light installation (as part of the Year of Astronomy Festival). Kevin Wallace will be reading in a West Scottish dialect from a piece he has written called, ‘Hame’.
I can see your house from here brings together an incendiary salvo of stellar artists from Pakistan, Canada, Germany, Holland, the USA, Russia and Nottingham, who will ’boldly go’ where few artists have gone before, seeking out new art forms, making new links… between art and science, the old world and the new, Earth and Space, space and time, modernism, postmodernism and altermodernism ..
As with Cold War and Memory + Migration, Cruiser is tapping into the zeitgeist. I can see your house from here represents a reappraisal of the cynicism of the contemporary with regard to the vision of modernism, that is evident in many cultural discourses and contexts today, especially within Eastern Europe, and coincides with Nottingham Contemporary’s Star City exhibition in 2010. (Simon Withers)
Cruiser artists are:
Chris Lewis-Jones / Simon Withers / Yelena Popova / Saira Lloyd / Fabrice Arfi / John Fanning / Kevin Wallace / Gareth Jordan / Felix Liebig / Brian Robinson / Wayne Thexton / Maria Kapajeva / Marsha Magda.
Exhibition PV: Saturday 27th February 2010 (1pm – 4pm)
Exhibition Dates: February 27th 2010 – March 19th 2010*
*By appointment
Venue: Actual Wall
Address: 3rd Floor Oldknows Factory Building, St Anns Hill Road, Nottingham. NG3 4GP
Visit: http://www.travellinghopefully.weebly.com/
Cruiser’s ‘Memory + Migration’ (revisited) is at Deda in Derby throughout February and March 2010.
Sunday, January 24, 2010
Memories: Deda Night
Upstairs, the artists known as Cruiser exhibited a collection of works based around the theme ‘Memory & Migration’ .. downstairs Julian’s paintings, executed outdoors during a succession of twelve full moons, were being previewed .. later he and his retro-punk band rocked the house ..
Saira Lloyd not only curated the exhibition but was the perfect hostess, moving through the sizeable gathering ensuring all were mingling and enjoying the evening ..
Saira’s box set of personal objects combine fragments of human memory through the genetic codes inherent in collected hair, lint and fibres, yet remain unidentifiable as though glandular specimens had been procured randomly and displayed as medical curiosities ..
Mr Lewis-Jones puts the focus on small things .. I’ve yet to persuade him to tell me all the slightly obscure hidden meanings ..
Gareth Jordan’s video blurred the distinction between the snapshot and the snapshot memory and brought the personal into the abstract ..
John Fanning created a 3 dimensional piece with hints at passages and movement - nativity scenes and goalmouth incidents create a memory collage in this delicate work ..
Yelena contributed a series of ‘martian flowers’ .. memories of growing up in the Urals during the Cold War .. a collection of paintings on what were originally propagandist posters from the Soviet Republic ..
Simon offered the opportunity to interact with the past .. a journal, a diary, a photograph (well I saw one) .. a book of dreams, a sacred place to reflect on your own collection of memories .. recollections of the religious ..?
I installed a new variation on ‘El Sol Entre Dos Palmas’ .. based on a dream and geometric synthesis of natural occurrences the piece taps the collective memory of shared symbols and forms ..
I also wrote a specially themed spoken word poetry piece called ‘Memory Man (memories of migration)’ which was, in it’s excerpted and casually performed version, well received ..
Cruiser will stage their next exhibition ‘I can see your house from here’ at Old Knows Studios Nottingham near the end of February ..
I will keep you posted on dates etc .. In the meantime watch my other blog Kevin Wallace Poet for an upcoming post featuring a complete version of the poem with photos from the Memory and Migration event ..
Naturally, I thank everyone involved in making the evening a success: Steven Munn, Mark, Saira and all who turned out to add buzz and personality to the event ..
I half expected you to be there, half hoped you would show, kept watching for the sparkle of your eyes through the crowd, my heart beating heavily in anticipation, but alas, time and distance ..
The Memory & Migration exhibition is showing at Deda until March 27th 2010 ..
***